Guro Brandon Ricketts to teach Kali Ilustrisimo in San Diego, California. October 2015.
The Kapisanang Mandirigma Eskrima Training Institute
I just wanted to take this opportunity to reflect on the memory of Punong Guro Edgar G. Sulite on what would have been his 58th Birthday today if he were still with us in life.
As well today, September 25, 2015 is the 34th Anniversary of the Lameco Eskrima System which Punong Guro Edgar G. Sulite founded in Manila, Philippines on September 25, 1981.
Soon after arriving to Manila, Luzon, Philippines on his 24th birthday, a young Edgar G. Sulite formally founded his own personal style which he named the Lameco Eskrima System. Several of his Masters had expected him to carry on their specific systems, but he felt, if he chose any one system over the others, he would not be able to fairly represent just the one system without disrespecting the others, since he would also be teaching by drawing from the lessons of all his Masters but doing so in the name of the one system which he would claim to represent.
Instead of disrespecting the Masters from whom he received his knowledge, he decided to form his own system, inclusive of all the Masters’ collective knowledge, and give them each credit for their knowledge and, thus, for the founding of the system. He came up with an acronym, “LA- ME-CO,” which represented all three major ranges in fighting, by combining the first two letters of the long range (largo), medium range (medio), and the close range (corto). “Lameco Eskrima” seemed to be the perfect compromise as he would be representing all of his Masters knowledge equally and be able to give them all credit.
Below is a list of the Five Major Influences and Six Minor Influences which were responsible for the creation of the Lameco Eskrima System. The Major Influences were Masters and Systems which Edgar G. Sulite formally trained under extensively for years and was certified to teach. The Minor Systems were from Masters with whom Edgar G. Sulite trained to some degree and with whom he collaborated but never received ranking in their respective Systems.
Five Major Influences on the Lameco Eskrima System:
1. De Campo 1-2-3 Orehenal (GM Jose D. Caballero)
2. Kalis Ilustrisimo (GM Antonio “Tatang” Ilustrisimo)
3. Pekiti-Tirsia Kali (Tuhon Leo Tortal Gaje Jr.)
4. Modernos Largos (GM Jesus Abella & GM Pablicito “Pabling” Cabahug)
5. Sulite-Rapelon (GM Helacrio L. Sulite Sr.).
Six Minor Influences on the Lameco Eskrima System:
1. Doce Pares (GM Diony Cañete)
2. Balintawak (GM Johnny Chiuten)
3. Lapunti Arnis De Abanico (GM Felimon E. Caburnay)
4. Siete Teros Serado – Serado no Puede Entrar (GM Marcilino Ancheta)
5. Abanico De Sungkiti (GM Billy Baaclo)
6. Tres Personas Eskrima De Combate (GM Maj. Timoteo E. Maranga).
Punong Guro Edgar G. Sulite once commented to me that in training he would rather be a thorn in the side of his training partner than his training partner’s echo. What he meant was that if you only agree with and systematically echo everything presented to you in training with out first and more importantly thoroughly investigating and testing its actual combative worth in an noncompliant training environment, how can you honestly gauge its true combative effect? By being the thorn and not just echoing sentiment you are keeping your training partner challenged to adapt and adjust to the unexpected attack or counter attacks as they are randomly presented in a constantly changing structure. A thorn annoys, distracts and requires much investigation as it involves a certain amount of discomfort where as an echo once becoming the standard in training quickly creates an environment of complacency thereby diluting response and ability.
I demand that my students constantly challenge me when opportunities become available to do so in training as this alone will hone my combative abilities and keep them in check against an unexpected random attack. Rather than echoing what facilitates uncontested success and establishing a false perception of ability in the throws of training complacency. By my students or training partners being naturally resistive in training this keeps me honest and more importantly it forces me to constantly adapt and adjust to change as it occurs in combat or face the consequences for any failure to do so. Most importantly it keeps me challenged as I have to react to the unexpected and in doing so I am constantly kept on a heightened level of awareness throughout the ordeal looking at every threat equally as opposed to just anticipating what is expected or agreed upon in an overly compliant environment. Our training partners and our training environment are our portals to reality through which we must pass in order to transcend from martial artists to warriors. Unless we thoroughly challenge ourselves in training and hold reality solely as the standard of combative development at best we will only remain martial artists without the possibility of ever moving onwards to achieve warrior status.
Just going through the motions while training is not enough, the fact is for us to be effective in combat at some point in time our training must brush up against reality as we are always charged to diligently train with intention. Simply when our training partners comply and assist our every performance willingly without natural resistance or recourse the most important lessons can never be learned. Without resistance in training there will be no need for counter measures or counter to counter activity as uncontested success will be misconstrued for great skill, “uncounterable if you will”. Remember that opportunity in combat at real time speed is measured in inches and centimeters not in feet or meters and timing will definitely be a factor. What seems to be the accepted more popular approach to training these days (total compliance) reminds me of an old adage that states: “The cat is king over a path of mice, that is until he runs across an elephant farther down that same path”. In the dojo you are the shit mixing it up with your students but outside of your dojo forced to fight tooth and nail against some street thug willing to kill you for his next booger of heroine you are nothing more than a gift delivered on a silver platter. The only one that will be able to neutralize this situation will be you alone for if you can not stop him from killing you no one else will, this is not an acceptable place to find yourself at anytime. Remember that you will not be fighting according to your schedule but someone else’s so immediately everything that you will encounter will be unexpected and less than ideal to say the least.
Combative effect solely dictates ones abilities in combat and nothing else, regardless of how many certificates or trophies awarded or gained. We are only as effective as we are today as yesterday has passed and tomorrow is yet to be written so if your life hangs limp in the balance of what you were “told that you can do” and what you “think you can do” you are doomed for certain failure. For at this time only what you “truly are capable of doing” under less than desired circumstances will dictate if you will live or be left for dead. So how well you prepare yourself for this eventuality begins with your immediate training environment and rules of engagement in that environment. When you train as if your life depends on it you will fight as if it does as well.
I hear more times that not someone stating and gauging their own combative effect based solely on who they know or who their Instructors are. Just because your Instructor is world famous or has experienced combat himself this does not mean that you share in his experiences equally. It is true that a great source of knowledge will get you much farther along the path of knowledge than a poor source will. However, for you to pass the test of actual combat your instructor’s name and experience in and of themselves will not be enough. You will have to apply your skills in your own time of need and if you fail or succeed it will be by your own abilities or lack there of and not some one elses.
There is an old adage in the Philippines which states: “Ang langaw na tumuntong sa kalabaw, ay mataas pa sa kalabaw” which is translated as “A fly that stands on the back of the Carabao thinks that he is taller than the Carabao”. This is endemic of what is going on amongst a majority in our own community. Most seem to gauge combative effect solely in accordance with whom they are training as opposed to their own combative effect or abilities in combat. I hate to repeat myself but I feel the need to reiterate that only your own experiences will allow you greater effect in combat and you only form this type of experience by actual fighting or at the very least sparring in a very limited arena adhering not to overly stringent rules and regulations.
Respect your elders in the arts for they have paved the path that you currently travel but be your own man and prepare to fight and live as such. Prepare yourself well for war and no-one will have to fight your battles for you, arm yourself with knowledge and no-one will feel the need to speak in your defense, train as if your life depends on it… because it does and no-one will have to carry your dead carcass from the field of battle prematurely. We are judged not by our Instructors reputation good or bad but by our own actions and abilities. Either you are effective… or not. Either you allow your abilities speak for you… or not. Either you survive combat and live… or not. A lot is at stake gentlemen so please remember that there are no guarantees in combat, only opportunity and either you will take advantage of that opportunity when it is revealed to you in real time… or not.
Punong Guro Edgar G. Sulite solía hablar de la “mariposa”, aquella que flota de flor en flor, que toma un poco de néctar de aquí y de alla, no dedicándose a cualquier ubicación por un periodo de tiempo adecuado para llegar a ser plenamente alimentada y crecer fuerte.
PG Sulite decía que esto es similar al comportamiento del estudiante que constantemente va de una fuente a otra (de Instructor a Instructor) recogiendo generalidades pero nunca dominando el fundamento básico, debido a su falta de compromiso e impaciencia para permanecer en un lugar el tiempo suficiente para desarrollarse combativamente.
Un entrenamiento de esa naturaleza tendrá más debilidades que fortalezas, recordemos que en el entrenamiento no buscamos la mera acumulación de técnicas pues algunas partes parecerán tener lógica, otras más no sabremos donde ponerlas, lo que buscamos es el desarrollo de las habilidades combativas, aquellas que nos permitirán protegernos o proteger a nuestros seres queridos en caso de necesidad.
Así pues, la pregunta que debemos hacernos es: ¿soy un estudiante dedicado o soy una mariposa?
******
On July 12 2015 Guro Brandon Ricketts conducted a seminar at Glendale FMA / Aranda – Ricketts Memorial Gym. The Event was hosted by Guro Bud Balani and Guro Dino Flores of the Los Angeles chapters of Lameco SOG, Kali Ilustrisimo and Kapisanang Mandirigma. Attendees came from all over California from places such as San Diego, Santa Barbara, Stockton and San Francisco. Guro Brandon was also supported by some of his students from the USA Headquarters of Kali Ilustrisimo.
Guro Brandon Ricketts focused of the fundemental core techniques and how they relate to real time sparring. A concept his father the late Grandmaster Christopher Ricketts drilled into his dedicated students. The seminar concluded with the participant doing some light sparring to test some of the techniques they had just learned in real time.
All the participants had a great time with this truly hands on approach to the art.
Guro Brandon is leaving for the Philippines at the end of the year. One of his objectives is to take partial administrative charge of his fathers Bakbakan Legacy and bring it into the next generation. The Los Angeles chapters of Lameco SOG, Kali Ilustrisimo and Kapisanang Mandirigma will try to host Guro Brandon Ricketts again for another seminar before he leaves. Check the www.mandirigma.org website for updates.
About Guro Brandon Ricketts
In 2011 Guro Bruce Ricketts was formally selected as the new Chief Instructor of Master Christopher Ricketts Ilustrisimo Organization and Bakbakan Philippines. The official ceremony was held in Manila, Philippines. During the same ceremony Guro Brandon Ricketts was promoted to the the position as Second in Command to Guro Bruce Ricketts. Also selected was the Administrative Board which includes Guro Ronnie Ricketts, Guro Alex Ricketts and Guro Jason Ricketts. The organization is dedicated to maintaining the legacy of Grandmaster Christopher Ricketts. The Advisory Board was also selected.
Guro Bruce Ricketts and Guro Brandon Ricketts trained under their Father, Grandmaster Christopher Ricketts since they could walk. The training room in their Philippine home was located in front of their bedroom. Daily exposure to the arts was the norm. Besides daily training with their Father and other students, many masters spent time training in their home. To name a few, legends such as Master Roland Dantes, Master Rey Galang, Master Yuli Romo, Punong Guro Edgar Sulite, Master Tony Diego and none other than Grandmaster Ilustrisimo himself would train there. The technical and fighting skill of these young Guro’s clearly reflect their esteemed lineage. Guro Bruce and Guro Brandon are also accomplished practitioners of Bakbakan Sagasa Kickboxing, Ngo Cho Kun, Jiu-Jitsu and Boxing.
Event Flyer
Aranda – Ricketts / Glendale FMA Gym Banner
Lameco SOG Members with Guro Brandon. Guro Bud Balani, Guro Dino and Guro Bryan Emerson with his son.
Events Hosts with Guro Brandon. Guro Dino, GM Joe Tan, Guro Johnathan Balani, Guro Bud Balani.
Guro Brandon giving pointers.
Sparring!
Sparring!
Sparring!
Group photo with some of the participants.
Sparring!
Guro Brandon giving pointers
Participants in action.
Participants in action.
Guro Brandon giving pointers.
Guro Johnathan giving pointers.
Contact drilling.
Contact drilling.
Ang Dangal ng Lahi (Pride) is a series of short documentaries about the Warrior Arts of the Philippines commonly known as Eskrima, Arnis and Kali. The focus will be arts and organizations of Bakbakan Philippines, Ilustrisimo and Lameco Eskrima.
Director: Tim Fredianelli
General Consultant: Dino Flores
Distribution: Mandirigma.org
Kapisanang Mandirigma Productions
Release Date: 2015
For more information go to:
http://mandirigma.org/?p=2651
© 2015 Kapisanang Mandirigma Productions, All Rights Reserved.
Los Angeles City Hall to celebrated the 117th Philippine Independence Day or Araw ng Kalayaan. The event was organizes by the Los Angeles Association of City Employees. Kapisanang Mandirigma/Mandirigma.org demonstrated a sample of the Warrior Arts of the Philippines at the event. In particular the Arts of Lameco Eskrima and Kali Ilustrisimo. This is the second time Kapisanang Mandirigma has appeared at L.A. City Hall. The last time was for the official dedication of L.A. Historic Filipinotown in 2002. The first official Filipinotown in the country. Guro Bud Balani and Guro Dino Flores was assisted by Guro Johnathan Balani, Mark Ramos and Daniel Parker. Their performance was after the flag ceremony in the main building forecourt. The Flag c Ceremony consisted of Filipino-American law enforcement officers parading with various flags of the Philippine Revolution. Los Angeles has the largest population of Filipinos outside of the Philippines. Mabuhay Ang Pilipinas!
City of Los Angeles official dedication to the celebration.
The demo team with Master Joe Tan of Modified Tapados/Vinias Eskrima Systems.
Guro Bud Balani, Dr. A.S. Flores, Guro Dino Flores
Demo Team in action headed by Guro Johnathan Balani.
Event program.
Guro Dino and Guro Johnathan demonstrating single sword techniques as Guro Bud narrates.
Filipino-American Law Enforcement Officers parading various flags of the Philippine Revolution.
The Eskrima Demo team.
Guro Bud Balani and Guro Dino Flores.
Filipino-American Law Enforcement Officers parading various flags of the Philippine Revolution.
Los Angeles City Hall and L.A. Sister Cities.
Photos property of Mandirigma.org. Photographer Dr. A.S. Flores.
A rare opportunity to train with Guro Brandon Ricketts. Guro Brandon grew up with the art and will give you insight into the transition from being a theory based drill practitioner to a real time functional based Eskrimador. Guro Brandon will only be in the USA till the end of 2015 – so don’t miss your chance to train with one of the heirs of Grandmaster Christopher Ricketts Ilustrisimo lineage.
10Am to 2PM
$50.00 prepaid by friday, July 10th. Spectators $40.00 prepaid.
$70.00 at the door. Spectators $60 at the door.
Contact: mandirigma.org@gmail.com
More info at: http://mandirigma.org/?p=2783
http://backyardeskrima.com/?p=1613
This seminar is open to the general public. No Video Please. No Photography without permission.
Brought to you by The Warrior Arts of the Philippines Alliance – Kali Ilustrisimo, Bakbakan Philippines, Lameco SOG, Eskrima, Kapisanang Mandirigma, Combat FMA Las Vegas.
—————-
In 2011 Guro Bruce Ricketts was formally selected as the new Chief Instructor of Master Christopher Ricketts Ilustrisimo Organization and Bakbakan Philippines. The official ceremony was held in Manila, Philippines. During the same ceremony Guro Brandon Ricketts was promoted to the the position as Second in Command to Guro Bruce Ricketts. Also selected was the Administrative Board which includes Guro Ronnie Ricketts, Guro Alex Ricketts and Guro Jason Ricketts. The organization is dedicated to maintaining the legacy of Grandmaster Christopher Ricketts. The Advisory Board was also selected.
Guro Bruce Ricketts and Guro Brandon Ricketts trained under their Father, Grandmaster Christopher Ricketts since they could walk. The training room in their Philippine home was located in front of their bedroom. Daily exposure to the arts was the norm. Besides daily training with their Father and other students, many masters spent time training in their home. To name a few, legends such as Master Roland Dantes, Master Rey Galang, Master Yuli Romo, Punong Guro Edgar Sulite, Master Tony Diego and none other than Grandmaster Ilustrisimo himself would train there. The technical and fighting skill of these young Guro’s clearly reflect their esteemed lineage. Guro Bruce and Guro Brandon are also accomplished practitioners of Bakbakan Sagasa Kickboxing, Ngo Cho Kun, Jiu-Jitsu and Boxing.
Lameco Eskrima SOG Los Angeles • Kali Ilustrisimo Los Angeles The Kapisanang Mandirigma Institute teaches several forms of Philippine Warrior Arts. Although they are related they are kept and taught separately in order to maintain purity and original intent of each program. LAMECO ESKRIMA SOG METHOD / LAMECO BACKYARD ESKRIMA - Lameco Eskrima - S.O.G. Method. The Fighting method of Punong Guro Edgar Sulite as taught to his "Invitation Only" group. Also known as … [Read More...]
PAGGALANG SA PAG - UMPISA:
Salutation at the beginning of training.
KARANUNGAN:
I come seeking Knowledge.
PAGGALANG:
I offer you my Respect.
KATAPATAN
I offer you my Loyalty.
NAKAHANDA SA PAGSASANAY
I am ready to train.
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