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	<title>KAPISANANG MANDIRIGMA&#187; Guro Arnold Noche</title>
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	<description>The Kapisanang Mandirigma Eskrima Training Institute</description>
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		<title>Photo Archive: Lameco Practitioners &amp; Friends at the Dog Brothers Gathering in 1997</title>
		<link>http://backyardeskrima.com/?p=1490</link>
		<comments>http://backyardeskrima.com/?p=1490#respond</comments>
		<pubDate>Thu, 21 Aug 2014 07:27:34 +0000</pubDate>
		<dc:creator><![CDATA[KM1]]></dc:creator>
				<category><![CDATA[Archives]]></category>
		<category><![CDATA[Guro Arnold Noche]]></category>
		<category><![CDATA[Guro Dino Flores]]></category>
		<category><![CDATA[Guro Hans Tan]]></category>
		<category><![CDATA[Lameco Eskrima]]></category>
		<category><![CDATA[Lameco SOG]]></category>
		<category><![CDATA[Photo Gallery]]></category>

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		<description><![CDATA[Photo Archive: Lameco Practitioners &#38; Friends at the Dog Brothers Gathering in 1997 Photo courtesy of Arnold Noche. This photo was taken in 1997.  It was at the Dog Brothers Gathering in Hermosa Beach, California. Arnold was in town from NYC. Some of the people in the photo: Arnold Noche, Dino Flores, Ron Balicki, Diana Inosanto, [&#8230;]]]></description>
				<content:encoded><![CDATA[<h2>Photo Archive: Lameco Practitioners &amp; Friends at the Dog Brothers Gathering in 1997</h2>
<p>Photo courtesy of Arnold Noche.</p>
<p>This photo was taken in 1997.  It was at the Dog Brothers Gathering in Hermosa Beach, California. Arnold was in town from NYC.</p>
<p>Some of the people in the photo: Arnold Noche, Dino Flores, Ron Balicki, Diana Inosanto, Sebastian, Al, Perla,  JP, Crafty Dog, Hans Tan, Nick Papadakis, Sung Han, Felix and Dogzilla.</p>
<p><a href="http://backyardeskrima.com/wp-content/uploads/2014/08/lameco-SOG-at-dog-bros.jpg"><img class="alignnone  wp-image-1491" alt="lameco SOG at dog bros" src="http://backyardeskrima.com/wp-content/uploads/2014/08/lameco-SOG-at-dog-bros.jpg" width="560" height="420" /></a></p>
<p>&nbsp;</p>
]]></content:encoded>
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		<title>Guro Dino from Kapisanang Mandirigma reflects on teaching Eskrima at the Non-Profit organizations in Historic Filipinotown, Los Angeles.</title>
		<link>http://backyardeskrima.com/?p=1482</link>
		<comments>http://backyardeskrima.com/?p=1482#respond</comments>
		<pubDate>Wed, 20 Aug 2014 09:51:35 +0000</pubDate>
		<dc:creator><![CDATA[KM1]]></dc:creator>
				<category><![CDATA[Archives]]></category>
		<category><![CDATA[Guro Arnold Noche]]></category>
		<category><![CDATA[Guro Bud Balani]]></category>
		<category><![CDATA[Guro Dino Flores]]></category>
		<category><![CDATA[Kali Klub's sa Historic Filipinotown]]></category>
		<category><![CDATA[Kapisanang Mandirigma Founders]]></category>
		<category><![CDATA[Kapisanang Mandirigma Los Angeles]]></category>
		<category><![CDATA[Lameco Eskrima]]></category>
		<category><![CDATA[Uncategorized]]></category>

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		<description><![CDATA[Guro Dino from Kapisanang Mandirigma reflects on teaching Eskrima at the Non-Profit organizations in Historic Filipinotown, Los Angeles. When our teacher Punong Guro Edgar Sulite passed away, the group wanted to honor his work but in the least commercial way possible. We weren&#8217;t sure how we could do it&#8230;and looking back I am not sure why [&#8230;]]]></description>
				<content:encoded><![CDATA[<h5>Guro Dino from Kapisanang Mandirigma reflects on teaching Eskrima at the Non-Profit organizations in Historic Filipinotown, Los Angeles.</h5>
<div>When our teacher Punong Guro Edgar Sulite passed away, the group wanted to honor his work but in the least commercial way possible. We weren&#8217;t sure how we could do it&#8230;and looking back I am not sure why we wanted to do it that way. One day after one of our countless demos around the city, Aki from PWC approached me to do a history workshop at Glendale City College. Afterwards she asked if I would like to use the art to help at risk to kids to gangs violence and drug use. My first reaction was &#8220;are you sure?&#8221; I was thinking we are kind of a rough bunch and we are wielding sticks, knives and swords and were more like a gang ourselves. I didn&#8217;t think it was exactly appropriate at the time. I was reminded that the Rampart district (where the movie &#8220;Training Day&#8221; was set) had the highest murder rate in the city at the time and was kind of rough itself with numerous hyper violent gangs such as MS13 and 18th St. claiming the area as their turf. Thus I half heartedly accepted. Anyway, to cut a long story short &#8211; our recruiter was right. We had a surprisingly high success rate with the youth. Just a few minor glitches like gunshot wounds, knife fights, comas and molotov cocktails on roofs&#8230;but thats another story.From what I can gather, most of the rougher kids changed their ways&#8230;.after maybe a little backyard method persuasion techniques. Two things were very effective. 1.Military style drilling, rules and lots of push ups for the whole class if someone was out of line &#8211; Guro Bud was an expert at this method. 2. Lots and lots of sparring. Be it Eskrima, Grappling, Kickboxing etc. If they were very bad they would have to spar everyone in class ending with me. It was truly a transformative and effective method&#8230;but probably illegal in several states&#8230;lol. Some parents told us their kids grades had gone up. Another parent told us that a school teacher said to her that her son was &#8220;The most moral student in the school&#8221; (since joining the program)&#8230;still makes me laugh.</div>
<div id="id_53f46afdb0ce50254953235">
<p>We had an amazing experience doing volunteer work with those great Non-Profit Community organization like SIPA, PWC and FilAm ARTS. The at risk youth positive diversion program from gangs and drugs we taught from 1997 to 2004 was a big learning experience for us all. I am proud that when government funding was low or disappeared, we didn&#8217;t let it stop us. Instead myself, Guro <a href="https://www.facebook.com/arnoldnoche" data-hovercard="/ajax/hovercard/user.php?id=1045743104">Arnold A. Noche</a> and Guro <a href="https://www.facebook.com/GuroBud" data-hovercard="/ajax/hovercard/user.php?id=1077182570">Bud Balani Jr.</a> offered adult classes at the centers at an affordable rate and used the proceeds to assist in funding the youth programs. One of the adult students even got Asics to sponsor us for a semester and we got some cases of their wrestling shoes. It was a grand adventure that took us far and wide. What more could you ask for, help a few kids out, teach a few adults some culture and still train in the art you love. All that was missing was a small paycheck for the Eskrima staff&#8230;lol.</p>
<p>It&#8217;s funny to think that all those non-martial artist participants who went through the program where forced to learn our Eskrima lineage and history. They were exposed to Lameco and the teacher in our lineage such as GM Ilustrisimo and his 5 Pillars (GM Tony Diego, GM Yuli Romo, GM Rey Galang, GM Christopher Ricketts and PG Edgar Sulite), GM Caballero and various other arts over the years.</p>
<p>Our first guest instructor at the program was none other than the legendary Grandmaster Doc Lengson &#8211; which was an incredible honor for me. Not only was GM Dr. Guillermo B. “Doc” Lengson one of Master Ricketts teachers. He was also the one who advised GM Presas to add &#8220;Modern&#8221; to Arnis. GM Lenson also advised PG Sulite to use the title&#8221; Punong Guro&#8221;. Punong Guro was the first to use this term in the Martial Arts, all others since were somehow inspired by his usage. GM Lengson was the first to feature FMA on Philippine TV. One of the TV shows had a 14 year old Master Ricketts representing Sagasa Kickboxing fighting a seasoned professional boxer. With another legend GM Roland Dantes as a judge.</p>
<p>Other guest instructors at our program included GM Taboada, GM Gaabucayan, GM Manaois, GM Olavides, Guro Ariel Mosses, Guro Hans Tan and half of Lameco SOG. What a journey. Maybe this is why the kids responded.</p>
<p>&nbsp;</p>
<p><a href="http://mandirigma.org/wp-content/uploads/2014/08/eskrima-kali-arnis-fma-12.jpg"><img alt="eskrima kali arnis fma 1" src="http://mandirigma.org/wp-content/uploads/2014/08/eskrima-kali-arnis-fma-12.jpg" width="454" height="605" /></a></p>
<p><a href="http://mandirigma.org/wp-content/uploads/2014/08/eskrima-kali-arnis-fma-2.jpg"><img alt="eskrima kali arnis fma 2" src="http://mandirigma.org/wp-content/uploads/2014/08/eskrima-kali-arnis-fma-2.jpg" width="432" height="576" /></a> <a href="http://mandirigma.org/wp-content/uploads/2014/08/eskrima-kali-arnis-fma-3.jpg"><img alt="eskrima kali arnis fma 3" src="http://mandirigma.org/wp-content/uploads/2014/08/eskrima-kali-arnis-fma-3.jpg" width="576" height="432" /></a> <a href="http://mandirigma.org/wp-content/uploads/2014/08/eskrima-kali-arnis-fma-4.jpg"><img alt="eskrima kali arnis fma 4" src="http://mandirigma.org/wp-content/uploads/2014/08/eskrima-kali-arnis-fma-4.jpg" width="576" height="432" /></a> <a href="http://mandirigma.org/wp-content/uploads/2014/08/eskrima-kali-arnis-fma-5.jpg"><img alt="eskrima kali arnis fma 5" src="http://mandirigma.org/wp-content/uploads/2014/08/eskrima-kali-arnis-fma-5.jpg" width="576" height="432" /></a></p>
<p>&nbsp;</p>
<address>Some items of recognition for our volunteer work back in the days of seemingly limitless energy.</address>
</div>
]]></content:encoded>
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		<item>
		<title>Photo Archive: Bakbakan Kali Seminar with Master Rey Galang at the Inosanto Academy, 1997.</title>
		<link>http://backyardeskrima.com/?p=1525</link>
		<comments>http://backyardeskrima.com/?p=1525#respond</comments>
		<pubDate>Wed, 20 Aug 2014 08:39:48 +0000</pubDate>
		<dc:creator><![CDATA[KM1]]></dc:creator>
				<category><![CDATA[Archives]]></category>
		<category><![CDATA[Guro Arnold Noche]]></category>
		<category><![CDATA[Guro Bud Balani]]></category>
		<category><![CDATA[Guro Choy Flores]]></category>
		<category><![CDATA[Guro Dino Flores]]></category>
		<category><![CDATA[Guro Hans Tan]]></category>
		<category><![CDATA[Guro Steve Tarani]]></category>
		<category><![CDATA[Kapisanang Mandirigma]]></category>
		<category><![CDATA[Lameco SOG]]></category>
		<category><![CDATA[Master Rey Galang]]></category>
		<category><![CDATA[Photo Gallery]]></category>
		<category><![CDATA[Uncategorized]]></category>

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		<description><![CDATA[Bakbakan Kali Seminar with Master Rey Galang at the Inosanto Academy, 1997. Photo courtesy of John Jacobo.   Members of Lameco SOG with Master Rey Galang and John Jacobo from Bakbakan New Jersey. Bakbakan Kali Seminar at the Inosanto Academy in Marina Del Rey, California.  ]]></description>
				<content:encoded><![CDATA[<h4>Bakbakan Kali Seminar with Master Rey Galang at the Inosanto Academy, 1997.</h4>
<address>Photo courtesy of John Jacobo.</address>
<address> </address>
<p>Members of Lameco SOG with Master Rey Galang and John Jacobo from Bakbakan New Jersey. Bakbakan Kali Seminar at the Inosanto Academy in Marina Del Rey, California.</p>
<address> </address>
<address><a href="http://backyardeskrima.com/wp-content/uploads/2014/09/wLameco-Tribe-aka-Sulite-Orehenal-Group-Circa-97-.jpg"><img class="alignnone size-full wp-image-1526" alt="w:Lameco Tribe (aka Sulite Orehenal Group) Circa 97'" src="http://backyardeskrima.com/wp-content/uploads/2014/09/wLameco-Tribe-aka-Sulite-Orehenal-Group-Circa-97-.jpg" width="604" height="399" /></a></address>
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		<title>Kapisanang Mandirigma founders Guro Ariel Flores Mosses, Guro Arnold Noche, Guro Bud Balani and Guro Dino Flores mentioned in the Virtual Filipino Martial Arts Museum&#8217;s &#8220;Top 200 Living Guro&#8217;s&#8221; List</title>
		<link>http://backyardeskrima.com/?p=1386</link>
		<comments>http://backyardeskrima.com/?p=1386#respond</comments>
		<pubDate>Mon, 20 Jan 2014 00:52:58 +0000</pubDate>
		<dc:creator><![CDATA[KM1]]></dc:creator>
				<category><![CDATA[Archives]]></category>
		<category><![CDATA[Backyard Eskrima]]></category>
		<category><![CDATA[Guro Arnold Noche]]></category>
		<category><![CDATA[Guro Bud Balani]]></category>
		<category><![CDATA[Guro Dino Flores]]></category>
		<category><![CDATA[Kapisanang Mandirigma]]></category>
		<category><![CDATA[Kapisanang Mandirigma Founders]]></category>
		<category><![CDATA[Lameco SOG]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://backyardeskrima.com/?p=1386</guid>
		<description><![CDATA[Kapisanang Mandirigma founders Guro Ariel Flores Mosses, Guro Arnold Noche, Guro Bud Balani and Guro Dino Flores mentioned in the Virtual Filipino Martial Arts Museum&#8217;s &#8220;Top 200 Living Guro&#8217;s&#8221; List Exerpt from: http://www.filipinomartialartsmuseum.com/index.htm Welcome to the Filipino Martial Arts Museum, the virtual museum and repository of knowledge of Filipino Martial Arts (FMA) systems, styles, masters, [&#8230;]]]></description>
				<content:encoded><![CDATA[<h3>Kapisanang Mandirigma founders Guro Ariel Flores Mosses, Guro Arnold Noche, Guro Bud Balani and Guro Dino Flores mentioned in the Virtual Filipino Martial Arts Museum&#8217;s &#8220;Top 200 Living Guro&#8217;s&#8221; List</h3>
<div></div>
<div>
<p><img title="fma_filipino martial arts" alt="filipino martial arts" src="http://mandirigma.org/wp-content/uploads/2011/05/fma_logo.jpg" width="200" height="371" /></p>
<p>Exerpt from:</p>
<p>http://www.filipinomartialartsmuseum.com/index.htm</p>
<p>Welcome to the Filipino Martial Arts Museum, the virtual museum and repository of knowledge of Filipino Martial Arts (FMA) systems, styles, masters, history, literature and virtual artifacts. The writing ranges from incisive to light-hearted to even controversial, and the literary and virtual exhibits encompass all aspects of Filipino martial arts systems and disciplines including arnis, kali, eskrima, dumog, buno, hilot and other indigenous arts of the Philippines.</p>
<p>Authors are well-known experts in their fields as well as volunteer writers. Article submissions are encouraged. The authors of these articles have consented to have their articles reprinted and republished in whole or in part, as long as the author’s name, website reference address and this website are acknowledged.<br />
I would like this site to become the most comprehensive online reader-written encyclopedia on FMA. It is meant to be a contemporary or living as well as an archival museum. Send your submissions for The Top 200 Living Masters, The Top 100 FMA Schools and other FMA Museum Who’s Who series, and then see your submissions published online. We also accept original articles and online book publications.</p>
<p>http://www.filipinomartialartsmuseum.com/index.htm</p>
<p>&nbsp;</p>
<p>http://www.filipinomartialartsmuseum.com/FMA_masters-systems-schools/FMAguros-living-list.html</p>
<p>1 Dino Flores Lameco Los Angeles, CA, USA<br />
2 Hospecio Balani Lameco Los Angeles, CA, USA<br />
3 David Gould Lameco<br />
4 Leonard Trigg Lameco<br />
5 Arnold Noche Lameco Los Angeles, CA, USA<br />
6 John Jacobo Bakbakan Maryland, USA<br />
7 Roger Agbulos Lameco North Hills, CA, USA<br />
8 Marc Denny Dog Brothers CA, USA<br />
9 Eric Knauss Dog Brothers CA, USA<br />
10 Tim Hartman Modern Arnis USA<br />
11 Kelly Worden Modern Arnis WA, USA<br />
12 Myrlino Hufana Modern Arnis WA, USA<br />
13 Jeffrey Delaney Modern Arnis Canada<br />
14 Randi Schea Modern Arnis<br />
15 Jay de Leon Modern Arnis, Los Angeles, CA, USA<br />
16 Alvis Solis Seneres Arnis TX, USA<br />
17 Ron Balicki Inosanto Kali Los Angeles, CA, USA<br />
18 Diana Balicki Inosanto Kali Los Angeles, CA, USA<br />
19 Ramon Rubia San Miguel Eskrima CA, USA<br />
20 Mel Lopez Villabrille-Largusa<br />
21 Greg Alland Dekiti-Tirsia-Siradas<br />
22 Mary Ann Presas Modern Arnis San Pablo, CA, USA<br />
23 Demetrio Presas Modern Arnis San Pablo, CA, USA<br />
24 Remy Presas, Jr. Modern Arnis San Pablo, CA, USA<br />
25 Tom Bolden Modern Arnis NY, USA<br />
26 Jerome Barber Modern Arnis NY, USA<br />
27 Percival “Val” Pableo Doce Pares<br />
28 Graciella Casillas CA, USA<br />
29 Raffy Pambuan Pambuan Tulisan Arnis FL, USA<br />
30 Steven Dowd Arnis Balite Fallon, NV, USA<br />
31 Hock Hochheim Modern Arnis, Kombatan TX, USA<br />
32 Jorge Penafiel Balintawak Cincinatti, OH, USA<br />
33 Larry Alcuizar Doce Pares Los Angeles, CA, USA<br />
34 Felix Valencia Lameco Santa Barbara, CA, USA<br />
35 Anthony Davis Cabales Serrada CA, USA<br />
36 Sultan Uddin Cabales Serrada CA, USA<br />
37 Darren Tibbon Cabales Serrada CA, USA<br />
38 Jason Inay Inayan Eskrima San Jose, CA, USA<br />
39 Jena Inay Inayan Eskrima San Jose, CA, USA<br />
40 Ray Dionaldo Sayoc Kali FL, USA<br />
41 Edwin Mosqueda Doce Pares<br />
42 Nate Defensor Doce Pares Chicago, IL, USA<br />
43 Conrado Manaois Manaois Eskrima Los Angeles, CA, USA<br />
44 Dan Anderson Modern Arnis WA, USA<br />
45 Rocky Pasiwk Modern Arnis<br />
46 Ron Harris Original Filipino Tapado New Orleans, LA, USA<br />
47 Tim Waid Pekiti-Tirsia TX, USA<br />
48 Leslie Buck Pekiti-Tirsia TX, USA<br />
49 Erwin Ballarta Pekiti-Tirsia TX, USA<br />
50 Gaudencia Ruby Comjuka TX, USA<br />
51 Phil Rapagna Lameco, Inosanto Kali Los Angeles, CA, USA<br />
52 Victor Gendrano Inosanto Kali Los Angeles, CA, USA<br />
53 Stephen Aron Inosanto Kali Glendora, CA, USA<br />
54 Menandro “Anding” de Leon Arnis de Leon Garland, TX, USA<br />
55 Jaime Abregana Hawaii, USA<br />
56 Vincent Cabales Cabales Serrada CA, USA<br />
57 Vincent Cabales, Jr. Cabales Serrada CA, USA<br />
58 Carlito Bonjoc Mata sa Bagyo CA, USA<br />
59 Mark Wiley Cabales Serrada<br />
60 Tom Bisio San Miguel Eskrima<br />
61 Rafael Kayanan Sayoc Kali<br />
62 Tom Kier Sayoc Kali<br />
63 Jeff Chung Sayoc Kali<br />
64 Paul Vunak Inosanto Kali CA, USA<br />
65 Burton Richardon Inosanto Kali HI, USA<br />
66 Steve Grody Lameco<br />
67 Steve Tarani<br />
68 Blaise Loong<br />
69 Cass Magda CA, USA<br />
70 Rick Tucci Inosanto Kali Princeton, NJ<br />
71 James A. Keating Comtech Walla Walla, WA, USA<br />
72 Ed Goco Galang Las Vegas, NV, USA<br />
73 Michael Replogle Modern Arnis USA<br />
74 Felix Roiles Doce Pares Los Angeles, CA, USA<br />
75 Spencer Gee Pananandata NY, USA<br />
76 Bruce Ricketts Kali Ilustrisimo San Diego, CA, USA<br />
77 Maurice Gatdula CA, USA<br />
78 Mar de Leon Tumba-tumba Arnis San Diego, CA, USA<br />
79 Chris Siangco Pedoy Derobio Eskrima San Diego, CA, USA<br />
80 Ernie Reyes, Jr. San Jose, CA, USA<br />
81 Alex France Kombatan CA, USA<br />
82 Alex Ercia Kombatan CA, USA<br />
83 Arthur Gonzalez De Cuerdas Stockton, CA, USA<br />
84 Teofisto “Toby” Tobosa Tobosa Kali/Eskrima Hawaii, USA<br />
85 Bram Frank Modern Arnis FL USA<br />
86 Jeff “Stickman” Finder Cabales Serrada CA, USA<br />
87 Dennis Servaes Cabales Serrada CA, USA<br />
88 Khalid Khan Cabales Serrada CA, USA<br />
89 Eddie Lastra Lastra System CA, USA<br />
90 Rico Acosta NY, USA<br />
91 Carl Atienza Atienza Kali NJ, USA<br />
92 Allain Atienza Atienza Kali NJ, USA<br />
93 Apollo Ladra Pasadena, MD, USA<br />
94 Bobby Ladra Pasadena, MD, USA<br />
95 Pedro Israel IMB WA, USA<br />
96 Madeline Coffin Cabales Serrada Seattle, WA, USA<br />
97 Michael G. Davies Cabales Serrada Sacramento, CA, USA<br />
98 Ariel Mosses Las Vegas, NV, USA<br />
99 Jon Cuenca Las Vegas, NV, USA<br />
100 Victor Rivera<br />
101 Christopher Turla LESKAS WA, USA<br />
102 Tony Somera Bahala Na CA, USA<br />
103 Richard Van Donk De Cuerdas CA, USA<br />
104 Wileen Arellano Bakbakan NJ, USA<br />
105 James Muro Inayan Eskrima San Jose, CA, USA<br />
106 Jon Ward Inayan Eskrima San Jose, CA, USA<br />
107 Cory Hanosh Inayan Eskrima San Jose, CA, USA<br />
108 Rupert Bisquera Cacoy Doce Pares San Jose, CA, USA<br />
109 Ron Lew Cacoy Doce Pares San Jose, CA, USA<br />
110 Carlos Patalinghug Cacoy Doce Pares USA<br />
111 Virgilio Apostol Hilot CA, USA<br />
112 Leo Fong CA, USA<br />
113 David James Vee-Arnis-Jitsu NY, USA<br />
114 Arsenio “Sonny” Padilla Kali Ilustrisimo Canada<br />
115 Badger Jones Modern Arnis, Siling Labuyo Arnis Canada<br />
116 Vic Ferrer Sikaran Saskatoon, Canada<br />
117 Romelle Espiritu Kali De Leon Canada<br />
118 Dan Rutano Estokada Kali Canada<br />
119 Oliver Salvador Estokada Kali Canada<br />
120 Gil Lafantasie Estokada Kali Canada<br />
121 Dante Alhambra Alhambra Arnis and Sikaran Canada<br />
122 Tom Sulit Sikaran Canada<br />
123 Roger Paclibar Paclibar Arnis Canada<br />
124 Rommel Tortal Pekiti-Tirsia<br />
125 Sinuhe Martinez Modern Arnis Mexico<br />
126 Jan-Jan Presas Kombatan Manila, Philippines<br />
127 Manuel Caballero Caballero Orihinal Uno-Dos-Tres Cebu, Philippines<br />
128 Rodrigo Maranga Combat Eskrima Maranga Cebu, Philippines<br />
129 Ondo Caburnay Lapunti arnis de abanico Cebu, Philippines<br />
130 Dennis Canete Cacoy Doce Pares Cebu, Philippines<br />
131 Nilo Limpin Modern Arnis Manila, Philippines<br />
132 Ronnie Ricketts Bakbakan Manila, Philippines<br />
133 Monsour del Rosario Bakbakan Manila, Philippines<br />
134 Miguel Zubiri Bakbakan Manila, Philippines<br />
135 Nathan Dominguez LESKAS Manila, Philippines<br />
136 Bot Jocano LESKAS Manila, Philippines<br />
137 Manolo Luis del Rosario LESKAS Philippines<br />
138 Jon Escudero LESKAS Philippines<br />
139 Sioc Glaraga Modern Arnis Philippines<br />
140 John Russell Visayan Martial Arts Australia<br />
141 Henry Jayme Visayan Martial Arts Cebu, Philippines<br />
142 Samuel Ibe Mantas Daga Philippines<br />
143 John Villasin Balintawak Cebu, Philippines<br />
144 Jimson Dearos Modern Arnis Manila, Philippines<br />
145 Rei Samson Modern Arnis Mountain Province, Philippines<br />
146 Paolo Motitta Modern Arnis Manila, Philippines<br />
147 Noel Penaredondo Modern Arnis Manila, Philippines<br />
148 Michael Gubat Modern Arnis Manila, Philippines<br />
149 Armando Soteco Modern Arnis Manila, Philippines<br />
150 Marcelo “Cocoy” Oyales Modern Arnis Manila, Philippines<br />
151 Nile Jordan Modern Arnis Cordillera, Philippines<br />
152 Antolin “Ace” Rosales Modern Arnis Philippines<br />
153 Romy Macapagal Kali Ilustrisimo Philippines<br />
154 Alberto “Jhun” Dacayana Philippines<br />
155 Isagani Abon Rapido Realismo Philippines<br />
156 Galo D. Lalic Kalintaw Philippines<br />
157 James U. Sy, Jr. Lapu-Lapu Viñas Arnis, Original Tapado, Yasay Sable, Conceptual Martial Arts Bacolod City, Neg. Occ. Philippines<br />
158 Nelson D. Vargas Silab Kanto Filipino Tagbilaran City, Bohol, Philippines<br />
159 Ronaldo Garciano Garciano Arnis Kilat Serrada Dagupan, Pangasinan<br />
160 Rohnee Tiong Gumpal Garciano Arnis Kilat Serrada Dagupan, Pangasinan<br />
161 Abner Anievas Modern Arnis Hong Kong<br />
162 Nathan Walker Modern Arnis Saudi Arabia<br />
163 Ghazzi Al-Turaifi Modern Arnis Saudi Arabia<br />
164 Manuel Maer Modern Arnis Saudi Arabia<br />
165 Mohammed Issa Al Issa Modern Arnis Saudi Arabia<br />
166 Raymond Floro Kali Ilustrisimo Australia<br />
167 Graham Jamieson Black Eagle Eskrima Australia<br />
168 Vincent Palumbo Doce Pares Australia<br />
169 David Foggie Modern Arnis Australia<br />
170 Edessa Ramos Modern Arnis Zurich, Switzerland<br />
171 Jorgen Gydesen Modern Arnis Germany<br />
172 Hans Karrer Modern Arnis Germany<br />
173 Uli Weidle Pekiti-Tirsia Germany<br />
174 Alfred Plath Modern Arnis Germany<br />
175 Uwe Schwarz Cacoy Doce Pares Germany<br />
176 Bob Breen England<br />
177 Danny Guba England<br />
178 Krishna Godhania Balitok / Warrior System England<br />
179 Peter Lewis England<br />
180 Pat O’Malley Rapid Arnis England<br />
181 Shamim Hague England<br />
182 Bill Lowery England<br />
183 Jeff Espinous Inayan Eskrima France<br />
184 Galo “Jun” Matagay Modern Arnis Italy<br />
185 Tim Kashino Modern Arnis Italy<br />
186 Flaviano Cabuang<br />
187 Philip Gelinas Pekiti-Tirsia<br />
188 Emanuel Hart Inayan Eskrima<br />
189 Trovador Ramos TRACMA<br />
190 John Chow Kalis Ilustrisimo Orihinal Repeticion Australia<br />
191 Jerry Evangelisan Dekiti-Tirsia Manila, Philippines<br />
192 Jun Martinada NARAPHIL Manila, Philippines<br />
193 Brian Zawilinski Modern Arnis USA<br />
194 Orly Junio Lightning Scientific Arnis Philippines<br />
195 Narciso L. Alojado - Original Filipino Tapado, Conceptual Martial Arts Bacolod City</p>
<p>196 Felix A. Altarap Yaming Bacolod City</p>
<p>197 Fr. Jerson Balitor Oido de Caburata Murcia<br />
198 Nelson Carmona Original Filipino Tapado Bago City<br />
199 Joeffrey S. Deriada - Original Filipino Tapado Bacolod City</p>
<p>200 Irving P. Elefante Lapu-Lapu Viñas Arnis Valladolid<br />
Andrew Filardo Arnis and Boxing New York<br />
John Brown Bahad Zubu Utah</p>
</div>
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		<title>Arnis Boosts Fil-Am’s Sense of Pride – by Volt Contreras for The Philippine Daily Inquirer Newspaper Interviews Kapisanang Mandirigma  Founding Member Guro Arnold Noche, October 4, 2006</title>
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		<pubDate>Sat, 11 Feb 2012 01:12:23 +0000</pubDate>
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		<category><![CDATA[Guro Arnold Noche]]></category>
		<category><![CDATA[Kapisanang Mandirigma]]></category>
		<category><![CDATA[Kapisanang Mandirigma Founders]]></category>

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		<description><![CDATA[Arnis Boosts Fil-Am’s Sense of Pride – by Volt Contreras for The Philippine Daily Inquirer Newspaper Interviews Guro Arnold Noche, October 4, 2006 &#160; Arnold A. Noche is one of the remaining survivors of Lameco SOG under the late Punong Guro Edgar G. Sulite of Lameco Eskrima International and is also a co-founder and instructor [&#8230;]]]></description>
				<content:encoded><![CDATA[<h3>Arnis Boosts Fil-Am’s Sense of Pride – by Volt Contreras for The Philippine Daily Inquirer Newspaper Interviews Guro Arnold Noche, October 4, 2006</h3>
<p>&nbsp;</p>
<address><em>Arnold A. Noche is one of the remaining</em><br />
<em>survivors of Lameco SOG under the late Punong Guro</em><br />
<em>Edgar G. Sulite of Lameco Eskrima International and is</em><br />
<em>also a co-founder and instructor of Kapisanang</em><br />
<em>Mandirigma. He made a recent visit to the Philippines</em><br />
<em>to attend the 3rd World FMA Festival and Bakbakan</em><br />
<em>International Invitational Tournament.</em><br />
<em>Kali Klub, a project of Kapisanang Mandirigma,</em><br />
<em>has received numerous awards and commendations</em><br />
<em>from the City of Los Angeles, City of Walnut and State</em><br />
<em>of California since the inception of the program in</em><br />
<em>1999.</em></address>
<address> </address>
<address><em>The Philippine Daily Inquirer is undeniably the</em><br />
<em>country’s most widely read and circulated newspaper.</em><br />
<em>With over 2.7 million nationwide readers daily, it enjoys a market share of over 50% and</em><br />
<em>tops the readership surveys. Not only is it the most read among  all sectors and ages, it is</em><br />
<em>also the country’s most trusted source of hard-hitting news and countless expos’s.</em><br />
<em>Distinguished by award-giving bodies like the Catholic Mass Media Awards, Jaime</em><br />
<em>Ongpin Awards for Investigative Journalism and Anvil Awards, it is the Philippines’ most</em><br />
<em>awarded broadsheet with over 200 awards and citations. </em></address>
<p>&nbsp;</p>
<h4><strong>Arnis Boosts Fil-Am’s Sense of Pride</strong><br />
<em>By Volt Contreras</em><em></em></h4>
<address><em>Philippine Daily Inquirer</em><br />
Published on Page A1 of the October 4, 2006 issue of the Philippine Daily Inquirer.</address>
<p>CROSSING land bridges that once linked the Philippine archipelago to the Asian<br />
mainland, ancient fighters introduced to Filipinos a form of martial arts believed to have<br />
come from India and now called kali, eskrima and arnis de mano.<br />
Yes, those rattan canes – and the graceful moves that make them lethal – are that<br />
old, according to generally held notions as to the origins of the Pinoy warrior art.<br />
With a deep sense of history, a Filipino-American based in California since the<br />
late ’60s considers his mastery of kali (considered the pre-Spanish name for arnis or<br />
eskrima) as a bridge to the country of his birth – and hopes that more Fil-Am’s would join<br />
him in paying ambidextrous homage to their shared cultural roots.</p>
<p>Arnold Noche has been<br />
taking time from his business each<br />
week, driving up to 48 kilometers<br />
from his home in the Gardena<br />
suburb, to conduct two-hour training<br />
sessions for kali enthusiasts of all<br />
ages at Filipino community centers<br />
in Los Angeles.</p>
<p>“There’s something about a<br />
stick in the hand that is very<br />
Filipino”, noted Noche<br />
Noche and other “backyard”<br />
eskrimadors started the Kali Klub<br />
project in 1999 and have since taught an average of 250 students a year, around 90<br />
percent of them Fil-Am’s aged 5 to over 40.</p>
<p>Kali Klub sa FilAm ARTS<br />
Since 2004, Kali Klub has been conducting classes in partnership with FilAm<br />
Arts (Association for the Advancement of Filipino American Arts &amp; Culture), a<br />
nonprofit, multidisciplinary arts organization located on N. Vermont Avenue in LA.</p>
<p>Dealing with Confusion<br />
“I could have taught my (Fil-Am) students something else to help them deal with<br />
whatever confusion they may have about their cultural identity. But I am an eskrimador,<br />
and this is my way of helping them understand the complexities of being a Fil-Am,”<br />
Noche said.</p>
<p>His family moved to the States when he was only 2 years old. At age 8 he began<br />
studying karate and, at age 12, picked up his first kali sticks – henceforth earning bruises<br />
and scars in a discipline that would “control my life.”</p>
<p>At 40, Noche runs his own management consultancy and multimedia firm<br />
ATF1898 – a proud reference to the year Filipinos declared their independence from<br />
Spain. But in a recent Inquirer interview in Manila, he said he would rather be counted as<br />
a member of the “Filipino warrior class.”</p>
<p>He was referring to the disciples of an ancient art that had been in progression<br />
long before foreign powers reached Philippine soil. Employing real swords or knives in<br />
its original form, kali survived by being “secretly practiced” during colonial times when<br />
Filipinos were prohibited from carrying weapons.</p>
<p>“It has been handed down from one generation to another, and has eventually<br />
made its way around the world. Now it is not only practiced by thousands of martial<br />
artists but also favored by elite military and law enforcement groups,” Noche said.</p>
<p>Action Flicks<br />
Further proof of its global appeal, he noted, is the growing number of Hollywood<br />
action flicks that feature kali movements in their fight sequences.<br />
Matt Damon, for example, in an interview on the hand-to-hand combat style of<br />
his “Jason Bourne” character, pronounced it as “kay-lee,” he  said. Vin Diesel had also<br />
acknowledged training in kali for his sci-fi flick, “The Chronicles of Riddick.”</p>
<p>“Mission Impossible 3″ and “Lara Croft Tomb Raider: The Cradle of Life”<br />
featured brief fight scenes with the lead stars Tom Cruise and Angelina Jolie,<br />
respectively, “using Filipino fighting sticks,” Noche said.<br />
And Noche has this to say about Star Wars” Yoda: “My impression was that his<br />
moves (with the dazzling light saber) were more Filipino than samurai.”<br />
Through the centuries, the kali system — believed to have started in the Visayas  -<br />
diversified through many individual masters around the country who continually added to<br />
its repertoire of attacks and defenses.</p>
<p>Basic Principle<br />
But the basic principle remains: “For weaponry to serve as extensions of the hand<br />
for maximum impact and reach,” Noche explained.<br />
And the weapons refer not only to the more familiar canes, but also to daggers,<br />
whips, chains, “a mere pen or a rolled newspaper.” The movements would remain the<br />
same, with the fighter merely adjusting his range.<br />
“Filipino martial arts (FMA) is the only one I know where you train on day one<br />
already with a weapon in your hand. Other martial arts begin training empty-handed and<br />
you get to use more intricate weapons as you progress,” he said.<br />
While maintaining that no particular combat method can be theoretically<br />
considered superior to another since it all depends on a fighter’s skills, Noche pointed out:<br />
“In (FMA) I do have weapons in my hands, but losing them doesn’t mean I could no<br />
longer do damage.”<br />
Take note, he said, that a hand that holds a rattan stick also forms a closed fist -<br />
which means that this hand can be used either to strike an enemy with the stick or, at<br />
closer range, to punch him.<br />
And even with the hands full, the kali system is fluid enough to incorporate<br />
maneuvers for tripping or throw-downs (just as in judo or aikido) or for choking an<br />
opponent. This is an example of how the method, from being fundamentally based on<br />
frontal blows, has “evolved” with every master  who improved on it.</p>
<p>The Noche Style<br />
Noche’s own style – the Lameco<br />
Eskrima – is just one of the many branches in<br />
this evolution. Before he became a “guro”<br />
(teacher) to his students, Noche found his<br />
own, much revered “punong guro” (master) in<br />
another California-based Fil-Am, the late<br />
Edgar Sulite.<br />
Founded by Sulite, Lameco stands for<br />
largo (long-range fighting), medio (medium-<br />
range) and corto (close-range) – or what<br />
Noche called the “synthesis” of these three<br />
orientations.<br />
“We were part of Edgar’s backyard group,” he recalled, referring to his two fellow guros now running the Kali Klub, Dino Flores and Hospecio ‘Bud’ Balani. “When Punong Guro died (of natural causes) in 1997, it would have been easy for us to bury the art with him.”*<br />
“Keeping it alive is one thing, how to keep it alive is another,” he said. “We can either go the commercial route (become full-time instructors, charge for private trainings,<br />
or hit the seminar circuit), or go the community route.” Noche had obviously taken the latter path, charging no personal fees for Kali<br />
Klub. “Everything we charge (as tuition) goes back to the program,” he said. The students are asked to provide their own black training attire, rattan sticks and safety goggles – “in addition to dedication, discipline and an open mind.”</p>
<p>No Mainstream Draw<br />
But for all that he’s willing to share about his passion, Noche easily sensed during his recent visit to Manila that kali – even as a sport or fitness regimen – had never enjoyed a mainstream draw in the very nation that supposedly developed it. “As a balikbayan, I can see that it has a following here but you still have to find it. It is not<br />
commercially available; it’s taught in some schools but it can still go far,” he said.</p>
<p>Last year’s Southeast Asian<br />
Games in Manila finally included<br />
arnis – but this “new” event hardly got<br />
any media coverage. While Filipinos won three gold medals in arnis, the home crowd still<br />
reserved its loudest cheers for the other more popular fighting disciplines, especially tae<br />
kwon do.</p>
<p>Also, no local movie star has been able to popularize arnis the way a Bruce Lee or<br />
a Jackie Chan brought Chinese martial arts to the world. And yet here now is Noche<br />
reporting that “kay-lee” has entered Hollywood lore.</p>
<p>But Noche has made sure no student of his mispronounces anything; even with<br />
non-Fil-Ams in the class, Kali Klub preserves the original Filipino terms for specific<br />
drills and maneuvers (“armas” for weapons, “salok” for uppercut, “sagasa” for run over,<br />
etc.) And with every “palo” (hit) or “ilag” (evasion) that he teaches his fellow Fil-<br />
Am’s, this guro helps them rediscover their now distant ancestral heritage lest this<br />
kinship, like the primeval land bridges, erode in time.</p>
<address>Copyright 2006 Inquirer. All rights reserved.</address>
<address>* Note: Dino’ Flores supported by Hospecio ‘Bud’ Balani initially founded the<br />
Kali Klub in early 1999. Arnold Noche joined soon after to help bring the project to a new level of expansion. Also note that the interview is the journalist’s personal perspective of the information presented to him.</address>
<address>This article was published in Vol. 21, No. 298 of the<br />
Philippine Daily Inquirer on Wednesday, October 4, 2006.<br />
Copyright 2006 Inquirer. All rights reserved.</address>
<address> </address>
<address>&#8212;&#8212;&#8212;&#8212;-</address>
<address> </address>
<address>
<h4>An Ancestor from Guro Arnold Noche&#8217;s Mothers side of the family.</h4>
<p>General Pantaleon Garcia, one of the trusted Cavitenyos appointed by General Emilio Aguinaldo as commanding general of all Filipino forces in Central Luzon during the time of the Katipunan and the Revolution.</p>
<p>July 27, 1856 &#8211; August 16, 1936</p>
<p>&nbsp;</p>
<p><a href="http://backyardeskrima.com/wp-content/uploads/2012/02/Noche-Ancestor.jpg"><img class="alignnone size-full wp-image-1802" alt="Noche Ancestor" src="http://backyardeskrima.com/wp-content/uploads/2012/02/Noche-Ancestor.jpg" width="287" height="360" /></a></p>
</address>
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